Muta Riflessione | Exhibiting at Fotografia Europea 2015

Mostra Muta Riflessione Silvia Casali ©2015 Fotografia Europea Circuito Off

In an attempt to push myself towards the “photographer” role, last January I decided to submit a project of mine to Fotografia Europea 2015, an international photography exhibition taking place in Reggio Emilia (Italy) each May.

At that time I did not know anything about how to organize an exhibition, I am still quite naive about this but now I can say that it is not an easy thing. And furthermore, what I made it was not a simple exhibition, since I had to design and make the steel and wood structures that carried the framed images.

The images belonging to Muta Riflessione (Silent Reflection) were shot in three different locations in Italy (Riccione, Dolomites and Peschiera del Garda) from 2012 to 2013, and narrated the sometimes strange relationship between manhood and landscape – new technologies have permeated our daily life, and we more often find it difficult to understand that what we are admiring is nature made through a process that lasted millions of years.

Is what is in front of us true or is it artificial? Might it be a carefully manipulated image projected on the widest screen ever made? Depending on the answer the behavior of the spectator might be of extreme care for what is seen as “unique” or total lack of respect when what is in front of him/her is considered “artificial”

Muta Riflessione, hosted by the Boiardo Hotel in Scandiano (RE) Italy, was conceived as a three act performance- The Wait, The Show and What is left. The video below shows you the whole experience

| Muta Riflessione | Mostra Fotografica from silvia casali on Vimeo.

I felt a little bit alienated when the set up was finished and the exhibition was to be opened.

It was like it was not me who shot those images and who made every decision with the support of incredible sponsors, a great friend and expert and my family. The result was something that left speachless many visitors – it was my first attempt to show my work, and many did not believe that was true. I was also very happy when I received a call from the Fotografia Europea organization informing that my work had been selected among the 327 other projects to participate to a contest. I could not believe it.

And frankly speaking, I still not believe I made it.

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